Space Summary
The Twitter Space Next-Gen Bitcoin: Are The Existing Scaling Solutions Good Enough? hosted by BTClayer2. BEVM stands out as a leading and secure Bitcoin Layer 2 solution, focusing on PoW hashrate and RWA, and uniquely supported by BITMAINtech. The continual advancements in scaling solutions not only enhance transaction speeds and network efficiency but also contribute to broader adoption and usability of Bitcoin. Investments in security and efficiency underscore the commitment to creating a robust infrastructure within the crypto space. As BEVM addresses challenges such as network congestion and high fees, it paves the way for a more cost-effective and efficient transaction experience, aligning with Bitcoin's core principles of security and decentralization.
For more spaces, visit the NFT page.
Space Statistics
For more stats visit the full Live report
Questions
Q: What sets BEVM apart from other Bitcoin Layer 2 solutions?
A: BEVM distinguishes itself with its focus on PoW hashrate, RWA, and the exclusive backing of BITMAINtech.
Q: How does BEVM contribute to enhancing Bitcoin's transaction speeds?
A: BEVM's scalability solutions play a key role in addressing network congestion and high fees, thus improving transaction speeds.
Q: Why is the support from BITMAINtech significant for BEVM's credibility?
A: The backing of BITMAINtech adds credibility, trust, and financial stability to BEVM as a leading Bitcoin Layer 2 solution.
Q: What are the main benefits of investing in security and efficiency for Bitcoin Layer 2 solutions?
A: Investing in security and efficiency enhances infrastructure robustness, transaction capabilities, and network reliability.
Q: How do innovations in PoW hashrate and RWA contribute to Bitcoin's scalability?
A: Innovations in PoW hashrate and RWA demonstrate continual improvements in Bitcoin's scalability, ensuring better network performance.
Q: Why are advancements in scaling solutions crucial for the Bitcoin ecosystem?
A: Advancements in scaling solutions are vital to overcome network congestion, improve transaction speeds, and increase usability and adoption of Bitcoin.
Q: What role does BEVM play in addressing challenges like high fees in Bitcoin transactions?
A: BEVM's scalability solutions help mitigate challenges like high fees, thereby making transactions more cost-effective and efficient.
Q: How does BEVM support broader adoption and usability of Bitcoin?
A: BEVM's focus on scalability and security contributes to broader adoption by enhancing transaction speeds, reducing fees, and improving overall user experience.
Q: What kind of commitment does BEVM and BITMAINtech show towards developing Bitcoin's infrastructure?
A: BEVM and BITMAINtech display commitment to infrastructure improvement by investing in security, efficiency, and transaction optimization within the Bitcoin network.
Q: Why is it significant for a Bitcoin Layer 2 solution to emphasize PoW hashrate and RWA?
A: Emphasizing PoW hashrate and RWA ensures that the Layer 2 solution aligns with Bitcoin's core principles, promoting security and decentralization within the network.
Highlights
Time: 00:15:42
The Uniqueness of BEVM Exploring BEVM's key features such as PoW hashrate emphasis and RWA focus that set it apart in the Bitcoin L2 landscape.
Time: 00:25:18
BITMAINtech Support Understanding the significance of BITMAINtech's investment and backing for BEVM's credibility and growth.
Time: 00:35:50
Scalability Advancements in Bitcoin Highlighting the importance of scaling solutions like BEVM in improving Bitcoin's transaction efficiency and network capacity.
Time: 00:45:37
Security Measures and Efficiency Discussing how investments in security and efficiency benefit the overall robustness and reliability of Bitcoin Layer 2 solutions.
Time: 00:55:21
BITMAINtech's Commitment to Innovation Exploring how BITMAINtech's support symbolizes a dedication to advancing Bitcoin's infrastructure and scalability.
Time: 01:05:49
PoW Hashrate and RWA Innovations Examining the impact of innovations in PoW hashrate and RWA on enhancing Bitcoin's scalability and transaction performance.
Time: 01:15:27
Addressing Network Challenges Insights into how BEVM tackles issues like high fees and network congestion to streamline Bitcoin transactions.
Time: 01:25:10
Enhancing Usability and Adoption How BEVM's features promote easier access, lower costs, and improved usability for Bitcoin users.
Time: 01:35:44
Infrastructure Development Initiatives Exploring the continuous efforts of BEVM and BITMAINtech in optimizing Bitcoin's infrastructure for future growth.
Time: 01:45:32
Emphasis on Core Principles Understanding the significance of prioritizing PoW hashrate and RWA to maintain Bitcoin's fundamental principles of security and decentralization.
Key Takeaways
- BEVM is a prominent and secure Bitcoin Layer 2 solution that emphasizes PoW hashrate and RWA.
- The platform stands out as the only Bitcoin Layer 2 solution invested and supported by BITMAINtech.
- Advancements in scaling solutions for Bitcoin are crucial for enhancing transaction speeds and network efficiency.
- BEVM's focus on security and efficiency highlights the importance of robust infrastructure in the crypto space.
- Scalability solutions like BEVM play a vital role in addressing the challenges of network congestion and high fees in the Bitcoin ecosystem.
- The backing of BITMAINtech adds credibility and trust to BEVM's position as a leading Bitcoin Layer 2 solution.
- Innovations in PoW hashrate and RWA demonstrate the continuous evolution and improvement of Bitcoin's scalability.
- BEVM's unique features contribute to the ongoing development and optimization of Bitcoin's infrastructure and transaction capabilities.
- Efforts to enhance Bitcoin's scaling solutions are essential for fostering broader adoption and usability of the cryptocurrency.
- The security measures and investment support from BITMAINtech underscore the commitment to creating a robust and reliable Bitcoin Layer 2 solution.
Behind the Mic
Introduction to the Deep House Space
My name is Bomani Mechabakur the deep house space grace upon these platforms that expose the undiscovered as we enter we breathe fire from the other side conquer and divide by our rules they roar above house music is in control now turns the tide in our house we are one connected with the rhythm my name is Bomani Meto Mangum my name is Bomani Metal Mamani metal Mamani metal my money met on my monumental.
Introductory Greetings
Hey, what's up? This is Nati. Nice. And you are listening to the deep house space. Ladies and gentlemen, you are now listening to poga the DJ only on the deep house space. Sadeena, Sadeena. Ladies and gentlemen, you are now listening to buga the djde day only on the deep house Facebook. Sadeena, Sadeena. It's.
New Hosts and Introductions
Hey, what's up? This is matinee. Nice. And you are listening to the deep house space. Hi, this is Dafo and you're listening. To the divorce bridge. And it's gotten to where? Same thing. So we don't go together living inside wants to be the first to say goodbye. My name is Bongani Mehomaku the deep house space grace upon these platforms that expose the undiscovered as we enter we breathe fire from the other side conquer and divide by our rules they will abide house music is in control now turns the tide in our house we are one connected with the rhythm my name is Bongani Mecho Makul and you're tuned into the deep house space.
Weekend Greetings and Guests
Happy Friday. Happy Friday, everyone. Happy Friday everyone. And thank you for joining us on the deeper space. Hopefully you enjoyed. That's that first three track mix. Trid track mix from the DJ. She started us off with some book Q and a. Chupe the trumpet when he played inferno. Deep House is a feeling just before grab Gramayeki played Timothy premix of neither one of us. But thank you so much for coming through and being with us. We already have a few of our guests. First guest for today is Barakue and then see Porter. The funk is also here. Ecopulsive is also supposed to be joining us as well. Before go to our guest, let's just test some mics first. Let's test our mics.
Mic Checks and Guest Introductions
Music is live. Mic check. Mic check. Hi folks. Hi folks. How are you doing? Cool your side. How's things today? I'm good, I'm good. Hi booger. Hi. Hello. Kazunjan. Kazi, what's in? No, don't. I proceed. Sorry. Okay, no problem. Put it g. My check. My check. Happy Friday. Happy Friday. Happy Friday, everyone. Hope everyone is good. Hope everyone is blessed. Hope everyone is doing great, man.
Discussion on the Deep House
It is a Friday. Of course, another installment of the deep house. As you know, every Friday. How we do it, of course, unless. Unless. Unless there's some technical issues or I we can be available. But nevertheless, Siko Nasikona. See, fresh is a good. So. Right. Major skipper and fun. As long as you write in Pincham. As long as the right time. Yeah, well, everything is good. Everything is okay already we have our artist here. Please, please. Like always, guys, please share the space. Please share the space. Let others know what it is that time, of course, to let you all listen to good music.
Project Management and Music Release Challenges
And of course, you know how we always do it. We've got new music. And of course, if you enjoyed that mix like already Uvoxa, Shiloh, you can just play the replay, the recording of the mix. You'll hear the. Yeah, you'll hear the mix. But I hope everyone is good, man, except Vox. For being here and playing amazing music for us. Let's go to barak you and also just say hi to the fan. But for now, spray cube roam. Was it good on your side? How about I said. It'S nice to be back. Before scaling for any come back to you. Okay, brother funk my check. Mic check. Yo, yo.
Artist Introductions and Music Background
How's it, my Mandez? I'm funny, love. I'm. That's good. Okay. No, not a problem. Perfect. Perfect. Sharp shop. Welcome again to the depot space for now Ukipe ephemeral you with the deep house. Deep house. South african records, right? Yeah, yeah. But before safari, just tell us who you are for people who never even met you or among our. And then also tell us about the inception, the AP itself. Thank you. Oh, okay. Spray Q obviously is a DJ and a producer from KZN. Yeah, I've been in. I've been making music for like six years now. And I think I've been in the industry for like five years somewhere.
Music Production Journey
So. Yeah. And yeah, I've been releasing a lot of music back in 2018. Started off with deep Cube released under Statue sounds, two eps, and also my solo eps, Paracube. And we also released under house Africa Stq. And then after that it's just me doing my solo thing and started. I started releasing more music actually live year 2023 up until now. And along the way, we, me and Devza de Soul teamed up and created a label called Lunar Records. So I've been releasing more music under Lunar Records. And, yeah, that's all I can say.
Details on Music Releases
And also. Okay, about the inception ep. Yeah, is this been fresh music that I've been working on lately and, yeah, released it last week, Friday. So it's been, yeah, it's been doing well. It's doing well, actually. It's doing well. So I'm really amazed of the feedback. You mentioned. The ep has three tracks. Okay. No, he actually didn't mention that, but yeah, the. The eps, three tracks. The first song is all the pain. The second one is frac you Kali, and the third one is precue singularity.
Production and Reception of His Tracks
Beautiful. Buga is really ready to play as a kylie. Okay. Oh, yeah. So with Kali, man, like, the reaction has been good, like, since before it even got released. You know, I did send it as a promo to other guys. Well, and also I also played it in Cape Town. Your direction was really. Was amazing, man. Was really amazing. Even all the pain, singularity. I haven't got a chance to test it out, but all the pain and Kali. Yeah, every time when I drop it, people just go crazy. So it's.
Deep House and Music Composition
Yeah, it's been really good music to put out. Some people will be hearing it for the first time here too, and they probably will be jamming it as much as other people. Yo, what's up? This is boy Sansa and you're listening. To the deep house base. Check it out. Hey, what's up? This is nati. Nice. And you are listening to the deep house space. Hold on, hold on, hold on. Yeah, Sadeena. Oh, no. Hold on, hold on, hold on. Yeah.
Further Discussion on the Deep House Space
Space. The deep house. Yo, what's up? This is Boysanza and you're listening to the deep house space. Check it out. Let me give the mic first to Zulu. Let's hear what Uncasulu gets to say about Mike. Unmute. Unmute. You know what I like about this song, or rather, what I like about Spiraq as an artist is that he's got a signature sound. Whether he's under bush doctor, whether he's under DHSA, he's got a signature sound. I like this song very much because it had very simple vocals, but they carried the song so nicely.
Feedback on Current Tracks
Whatever. Very lovely song. I understand why people have received it so well. Absolutely. Absolutely. I know. Ziao, brother Funk, what do you think of Kylie? Brother Funk is probably working and j ombos, but that's fine. Let me give the mic to ninja. Killer. Killer. That's a killer. Killer track. Killer track. Exes Ferrari.
Discussion on Music Process
No, like you just said, it's taken with. Yeah. With. With a big welcoming. It's being approved all over. Yeah, without a doubt. Without a doubt. But let's. Let's tap into it. In fact, tell us the process, mfana, that you went through via this. This tune. In the process. The process of making this tune, tell us the challenges. In fact, the whole Ep, not only the single tune, but the whole Epana. How was.
Evoking Inspiration in Music
How was the whole project? How did it go? How was the journey of it? were they ups and downs? Whether did you get affected by load shedding? Load shedding wasn't on the picture. At that time. When I was making this music. I think, like, it's just. It was just the energy, man. Because if he. If you listen to Kyle and you listen to all the pain, like, they've got this, I don't know, like, aggressive nature. So I would say, like, yeah, that's what I was feeling at that time, you know, because sometimes I do make music that's just laid back, you know?
Production Philosophy
So it was just. It was just what I was feeling at that time. So with me, when. When I do production, most of the time, it's just, like, maybe an idea that I have or, like, a rhythm, like, just, like kali to go, like, it's like an idea. And then if it comes, and then I just go and sit down and make. And make that and try and, you know, sometimes it doesn't come out the way you. You were doing. Like, it will come. So what I do is it's just go and then make.
Production Process for Different Tracks
And then at the end of the day, I come up with something like that sounds almost the same as what I had in my mind. So, yeah. For Kalia, that was the process. For all the pain. It was just, like, an inspiration for. From the vocal, actually, because I remember very well that I started with the court and then the vocals. When I tried out the vocal samples that I got, it kind of, like, gave me an inspiration to even progress the song forward.
Evolving Sounds in Deep House
Yeah. With singularity. It's like, it came. Maybe I did that song maybe five months later because the kali has been there in my archives, you know, just pumping it alone in studio, not sharing it, you know, filling it before I give it to people. So that one is. I think it's. I did it two. Two months ago. So if you listen to Kali and all the pain, you can hear that there's a different. There's a shift in energy, because singularity, for me is, like, laid back.
Diversity in Track Emotion
I don't know, maybe some people don't. Don't, don't. Maybe don't hear it like that. But, yeah, for me, it's, like, laid back a little bit. And then those two songs, they just, you know, like, pumping, pumping. So, yeah, that was the process for. For the. For all the pain and kali and singularity was just a different vibe. And also, when I. I did those songs, not intentionally to make an ep, to be. To be honest, so I was just. I was just making music out of the feeling.
Music and Artist Collaboration
And then I happened to have a conversation with Byron is like, you, bro, I love your music, man. Can you know, drop something? You know, I was like, okay, I'll work on something. You know, that time. At that time, I didn't have, like, anything, you know, to give him, you know? So I just worked on the music, and I think maybe, like, seven months later, I'm like, hey, bro, I have this, too. You know, I sent to him and asked him how.
Final Stages of Music Creation
How is it? Like, oh, fire, bro. And then I was, okay, let me do a last song. Then. Then we fine. So that's how. That's. How was the process? I think this process was kind of different from the process that I do when I'm making music that release under Luna. So when I release under Luna's, like, intentionally first song, my mind is like, okay, I'm building. I'm building up this for an ep or I'm building this app for an album.
Diverse Production Strategies
So with DHSA, it was different because, you know, like, yeah, it's like a thing. Different, different process. So it's just like, picking up those two songs and like, okay, this is the energy I want to go with for DHSA. So, yeah. Wonderful Bingham. And with that, yazzie just mentioned something to say. One of the songs was. Was so sticked into solo. Like, it's been there, and. And you just, like, took. Took the decision to say, no, you know what?
Final Thoughts on Music Composition
In fact, let's just use it. It's time, right? Because a lot of producers do that. Like, why do we do that now I'm including myself because I know doing that. Why do we have this. This thing of always storing music which is already completed? But maybe it might be those small and also mixing and mastering. Maybe. But what makes us producers to have that mentality, Tim Vana, of leaving our projects there?
Producer's Confidence and Backup Strategies
Do we have that strength enough of trusting ourselves? But when individual, why do you do that pinjami and do you trust your. Your hard drives? Do you trust the music that you have? Guti it's protected right now. Oh yeah. For me like you know most of the time when once I'm done with a song I just master it and mix it and save it as a wav file not only in one USB, in I have two hard drives so I'll have like a backup hard drive and they'll one that I just put stuff there you know so I always make a backup for each and every project.
Lessons Learned from Music Production
Once I'm done with the project I zipped it, save it on the backup folder and also obviously when I go to Dj I have like a wav file on that USB and also an mp3 so yeah and also I used, I use like two kubernetes user two computers so yeah I don't think like unless if they both die because like I juggle between Mac mini and windows sometimes I'll go and produce on Mac min and sometimes I'll go and produce on windows so I think by doing that it also cools down the system of the computer because now if you use the same code all the time, you know, it gets hot and this and that.
Producer's Confidence in Music Storage
But yeah for me like in terms of confidence, like you saying confidence in terms of music we keep, like you keep it, I don't understand. You live. In those songs on the system. Do you trust yourself? Do you have that confidence in yourself? Yeah, yeah I do have, I do have confidence to you, hence I'm saying I make a backup folder, I have two hard drives so I, I copy these folders in these two hard drives all the time because I faced a situation like this back.
Challenges of Music Production
Like there's a year where I didn't release music, I only released one song. But yeah that year I couldn't make music because I only had one hard drive and it crashed. So all the music I worked on just vanished. So I learned a lesson from that time that I have to make a backup folder all the time. Whenever, when I'm done I put it on the backup folder, usb hard drive everywhere, man. Like I make copies. Like if you can search on my computer you see a list of the same thing, you know, so yeah I understand that you cannot trust the computer, you cannot trust it, you know.
Emotional Connection to Music
You can make a beautiful song, man, that's gonna change your life and it's just cool like that. I have like certain songs that I wish I did like save somewhere, man because like when I listen to them like there's nothing I can do but yeah, I've learned to accept that you can always make a good song. I. Without a doubt, I know. Thank you very much. What's funny about being a producer is that you end up being an IT specialist as well.
Conclusion and Summary
Computer doing a lot, but no. Thank you. Next, folks. Now shout out to spread a cube. And for sure, I think you need to change the head Alapayana head loud album is out. You need to put inception game mind. Yeah, you need to put an insertion. I believe it's cut. It is pale. But before via Fana, is anything else you'd like to show? Oh, yeah, I'd like to, you know, thank people for jamming to the music.
Reflection on Music
Spiraqi is very relaxed compared to the first song. It's actually very nostalgic for me, you know, I really enjoyed it. I hadn't paid attention to it. My favorite song on this three-track EP was actually all the pain. But now that I've heard this one, it's very nice, very relaxed. I really enjoyed it.
Spotify Playlist
What is your playlist on Spotify? The playlist is deep house junkie. Beautiful. Go check out Gaza Zulu's playlist on Spotify titled Deep House Junkies. The brother funk. Please unmute your mic. Yo, how's it housed, man? No, I'm good. I'm from your side. Sorry. Yeah, cashier Sanjay. That's all great stuff. Before you play the music, today is your release day in vanilla, a pre-release day. And tell us about the very special EP that you released alongside the deeper space program. Tell us about.
Special EP Insights
Okay, man, you know, how can I start? No, as you said, it's a very special ephemeral to me. And anyways, shout out to Max note and you guys for collaborating with me on this one. Well, you know, it goes well, you know, when I made it, it's a love album and a heartbreak, if you. Sorry, you know, combines all that, you know, tells us all the songs, tell the story, you know, so it had, like, a very special place in my heart, you know? And some people might notice that I've changed styles a bit, you know? So. Yeah, that's why it's like so special to me. Like, special things, like special music.
Upcoming Music and Collaborations
I think we deserve more and more of it. And then people can also hear this amazing EP. The title of the EP is called Happiness Paradox. Happiness paradox. Fine, brother. Fuck. What are you doing? Are we ready to play some music? Yeah, we good. So we're going to be kicking off. In fact, can Uppura let us know which song would he like us to open with? Okay. I would say. I'd say miss you so much. Yeah, that's my favorite there.
Setting the Scene for Music
Okay. As we go into missing so much with brother funk, prepare your story. Right. So, yo, yo, this is your boy oc black. You are now tuned into the deep house space. Hashtag the depositspace, hashtag the deposit. I miss you so much I miss you so much this you so much I miss you it's a real slowly I miss you so much I miss you so much I miss you so much miss so much I miss you so much I miss you so much I miss you so much miss you so much. I. Miss you so much, I miss you so much I miss you so much, I miss you so much, I miss you so much.
Emotional Connection
And you're tuned into the deep house. I miss you miss lonely. I miss you so much, I miss you so much, I miss you so much, I miss you so much, I miss you so much, I miss you so much I miss you so much I miss you so much. And you're tuned into the deep house fake. This is your boy pussy playing. You are now tuned into the deep house space. Hashtag the deep house space.
Personal Reflections
Hi, my name is Euphonia. Welcome to the deep house space. Take a journey with us as we delve into the underground sounds of deep house. From soulful melodies to driving baselines. We'll keep you moving all day long. And you're tuned into the deep house space. But anyway, the song just played right now is miss you so much. Yeah, basically explaining Sherinza. That's someone's name. It's reference to someone. It's reference to someone.
Sharing Stories
Yeah, of course. Yeah. Reference to someone. So that's a name. No one has made a song for me. But anyway, go check it out. The song track number one on the deeper space presents happiness paradox by the funk. This is mentioned with mix note media. So in the space. And you've got the talent to release music. What? We've started with me that you want to do this as often as you can. I mean, if you have the music.
Producer Insights
Come on. Sorry, I didn't hear you there. You were breaking. Explain. But anyway. Yes. If you have music and you like to release under mix note media with the typical space, please do reach out and we can be of distance. Kazizulu. I miss you so much. Did you. Is there someone that you meet perhaps or not? I know. Me. Right? What I like about. What I like about this song, right.
Artist Reflections
Is the person who's singing the vocalist. I know they really miss the person they're singing about. They are really jamming about what they are singing about. And I also like how throughout the song, he added unexpected elements, futuristic elements, which was very nice. It was very refreshing to hear. So you're not missing anyone because no one is missing you. No.
Music's Emotional Impact
As the song was playing out, I almost, like, went into tears. Something happened. Yeah. I lost one of my close family members. And, and, yeah, you know, this song fana at actually, so, so when it says, I miss you so much, and the emphasis, like, that person emphasized to say, I miss you so much, you understand? And with that, like, yeah, it goes hand in hand with.
Family Connections
With how I'm feeling, actually, because I actually do miss that person. you know, sometimes we might not see eye to eye with your family members and all. And all and all. But at times in fana, they do. Their presence does speak. Like, it does speak a lot of things, you know, it does. Like, it is so, so loud. Their silence is so loud. You understand? And, yeah, man, with.
Emotional Lessons
With me shout out to Fanapura. It's like, you knew that we're going to be missing people, you know? But it's part of life. It's part of life at the end of the day, you know? But, yeah, I know. I miss this person. I miss. I miss my family members so much. Much, so much. But, yeah, I'm fine. Shout out to you for killing it.
Looking Forward
In fact, I have a question. Wanting to know Vele, the inspiration behind the song, what was going on in studio, what happened? But, yeah, kindly explain the story of the song. Yeah, man. this was after I break up, actually, you know. so this day, I was just sitting in studio, you know, I'm like, okay, you know, I'm feeling all emotional and everything.
Creative Process
Eventually, you know, miss you so much, and you just miss a person, you know? just, like, thought, okay, fine, let's make this song. Let's drive it, you know, so as you hear it's all about missing someone, and, yeah, it is just after the breakup. Oh, man. Hey, there are some exes that are missed. There are some exes that.
Journey of Creativity
So with that Njaka, same question that I asked as Farah Q men, take us through the whole. The whole journey of the EP, man, how it came about for you to eventually, really, actually to say, you know what? I'll actually publish with. With no Max note media. Shout out to them. Shout out to them, man.
Musical Inspirations
But, yeah, man, how did it come about, the whole EP failure as a. Whole, basically, as most people know, what type of music? No soulful house music that I do. You know, at first, I had no idea, but, you know, as I kept on making these songs.
Finding the Right Course
I just, I just got this special feeling for it. And then, and then, sorry, I'm disturbing people here. And then, you know, I just spoke with folks, I'm like, hey, dude, you know what? I'd like to, you know, collaborate with you guys on this one. You know, as I finished these songs, I felt that special thingy, you know, somewhere from breakup.
Collaboration and Growth
Some were just love, you know, in my head, I was like, okay, all of them are making sense now, you know, as I put them together. So, man, I approached Max note media and deep house spaces. I said, okay, fine. Hey, guys, can we put this one out? You know, I just wanted the collaboration because it's so special to me.
Journey of Release
Beautiful. Njaka. And how was the feedback, man, on top of you so far? Have you received any feedback? And with that, man, the journey of the EP that you, you done, man? I mean, yes, it was, you did release good music, but again, it wasn't a smooth journey, you know? we do have hiccups there and there's producers which some of them, some producers won't talk about them.
Facing Challenges
But did you face any challenges when it comes to this EP? actually, not as such. I didn't face any challenges, you know, it was just a smooth process. You know, those were delays here and there. The only thing, there's a challenge, we missed the first release date and then we. Anyway, we just fixed that.
Reflections on Delays
That's why we released it today. But it gave me, I'm thankful for that time. It gave me enough time to actually, you know, stand out for reviews here and there. Beautiful. Njaka, one last question. Like I asked Ferra about his stuff, his storage and his project, all the project that he has done, old and new, of course, but my main point was in terms of storage, when I, with you as a producer, how do you work around storage?
Importance of Storage
Because storage is the most important thing. Yes. Whether you store. Yeah, whether you store it on a hard drive or a cloud out, what is your process? How do you work around your storage? On your projects or everything else? Okay, save some. Mostly on my hard disks, but for backup, I always put them on cloud.
Backup Methods
Whatever project that I'm doing, back it up on cloud, because you may never know what may happen with physical storage, might get lost or stolen. So I use both cloud and hard disk. Aye, nice and easy, Jack. I know. And then let's take it back to some questions. Maybe Nkazi has a question. Yana, let's take it to her and she will take it back to Vox Kazi.
Current Moment
Hi, Booger. No, I don't have anything at the current moment. I don't have anything at the current moment. When you come back from the music. All right then, Fox. Thank you, teacher. And everyone has joined us already. Right now we are with brother Funk on the deeper space presents happiness paradox.
Next Steps
Upon the fun to play the first song which is missing so much. And next up, we're going to play another one. And of course, we've got a playlist of our own. Go check it out. next week. Next week, next week or next week? We have joining us. We have Nepso joining us.
Upcoming Artists
shes. And also Shaz Mixol. Yes. So that's for next week. after brother Funk, we should also have Manando and ecopulsive. I don't see them here, but we'll play their music though. But booga Shanghai. Up next, it's forgive you by Bora the funk featuring Gina Gazae.
Introduction of New Music
Hey, what's up? This is nutty nice. And you are listening to the deep house space. This is your boy Fenix sounds and you tune into the deep house. Yo, what's up? This is your boy in Q five. You are now tuned into deep house.
Song Lyrics and Emotions
Just one such to three me to kill me. Just one side that you kill me? You're not here. You're not here to kill me. You're not here to kill me. That's why I forgive you. Trying to forget you. That's why I forgive, trying to forget you.
Continuation of Lyrics
That's why I forgive, trying to forget you. That's why I forgive you. Trying to forget. That's why I forgive, trying to forget you. That's why I forgive, trying to forget you. That's why I forgive you. Trying to forget you.
Deep House Dialogue
Love my heart. Don't push me badly. I love sunshine in my dream kiss great night scream. Just one soft dodge to three, Meredith. That's why I forgive you. Trying to forget you. That's why I forgive you.
Final Lyrics and Reflections
Trying to forget you. That's why I forgive, trying to forget you. That's when I forgive you. Trying to forget you. Friendly. Trying to forget you. Trying to forget you. Trying to forget you. That's why I forgive, trying to forget you.
Hosts of the Show
Hey, this is Karlie. You're listening to a deep house stick. For the love of deep house, baby, the song just played now is forgive you featuring China. Let's give the mic to Puget. Forgive you forgive.
Collaborating with Gina
I must forgive you forgive people, guys. But, yeah, so what this one, my boy, you are featuring Gina. Tell us about Uchina. Who is Gina? And besides? Well, Uchina is from the US.
Talent Discovery
So just one of those people just record themselves singing on the Internet, you know. And then I was like, oh, wow, I like this voice. Hey, basically, this is the second song I've done with her now. You know, I've done tears first with her, and then now we're doing forgive you.
Working With Emerging Artists
So, you know, I just found her on the Internet. I was like. And it was easy to actually, you know, work with us. Like, okay, fine, send me the beat. What should be. What's theme here? Like, okay, yeah, here's theme. You know, forgive and forget.
Creative Collaboration
That's it. You know. Forgive and forget. so, like you just said, also it was someone that you just met on the net. and then you. But with that, what is your process of working with vocalists? How do you, how do you work with vocalists?
Engaging with Vocalists
In fact, do you allow them to do whatever they doing and then you come back and mix and master or you mix and master while they are busy recording and doing all that? Or how do you work with producer, with other vocalists? Okay, I allow them to finish recording.
Finalizing the Process
You know, it's best for me that way. Allow them to finish the whole thing. But, you know, just give a direction. Okay. Record so and so and so and return the files to me in a certain format, you know. And then I do my mixing and mastering afterwards, you know.
Intentionality in Collaboration
Yeah. I want us, I want us someday to talk about this vocalists and we need to have vocalists so we can talk more about this and broad, because why I'm saying this, we have vocalists who would say, mina, I don't want you to box me.
Artistic Freedom
Meaning, don't write songs for me. Don't tell me what to do. Don't tell me how to sing. And don't compare me to another vocalist. Right. Allow me to do me. Allow me to be open and just allow me to do me, you understand? What's your take on that?
Producers and Vocalists Dynamics
What's your take where now you created as a producer, you created the song. And then now on top of that song, you said you told yourself as a producer and as it is your song, of course, to say, no, I wanna feature a vocalist, but however, I want the song to go like this.
Vision and Process
I want the hums to be like this. I want the verse to be like this. In which when we, when it comes to splits, you are the songwriter, I guess? Yes. So and yeah, an author. And with that, what's your take? When as a producer, man, and having such vocalists and their take, hey, man.
Frustration in the Process
You know, it becomes very frustrating. I've been through that, you know. you, let's say, for instance, you like someone's voice. Like, you can say sing, but then when they defeat your purpose, you know, of making the song, you know, and your vision of the song, like, okay, I like it, but now we cannot use it.
Navigating Creative Challenges
So, you know, when I'm making a song, I've got this vision. I want the vocals to go like this. But then I would keep them. Like, got thousands of vocals that I kept, you know, but I was like, I like it, but I cannot use it because now for this song, it doesn't fit in anywhere, you know?
Artistic Dilemmas
You know, you get those stubborn release stuff, born vocalist. Like, okay, now I'll keep it, you know, maybe I'll use it later. Like, there's some vocals, I used after two years, you know, and then, like, when you're just playing around and find them, you know, in my hard drive, like, okay, this, this is in tune with this bit.
Utilizing Previous Works
Let me use, let me use this. But no, most of the times I just prefer, you know, let's go, let's use, let's record, in the way that I envisioned it, you know, so that, you know, I also like the song. If you go your way, I'll end up not liking my own song, you know.
Concluding Thoughts
Beautiful, beautiful. And then on top of, while you're still on vocalists, we have this thing of saying, like right now, you just mentioned that you already have some vocals that are already stored in your PC, right? In which you have already worked with previous artists.
Song Release and Archives
With that, I'd like to know. Now, here you are making a song, a new song that is supposed to be released. And all in all, you go back to your archives and you find a vocal. Now, when it comes to the splittage, how do you work around that? Do you have to now, because of, you need to remember, it's still that vocalist IP, right?
Copyright Considerations
Unless you have brought the IP from them, right? But how do you work around that to say now this person, you're no longer in touch with them, but however you still want to use their vocals, how do you work around that as a producer? Okay, I say most of vocalists I've worked with actually paid you know, so the property becomes mine, you know, but with some outside mention.
Building Relationships
One, I worked there in 2019 and then I decided to use the song late last year, you know, but I wasn't in touch with her. One thing I know, I knew that she's registered at Sambro. So, you know, when I just registered the song on Sambro, Herb name popped up and, you know, I split fairly, you know, and then she got in touch with me when she had the song, she actually got in touch with me via Instagram, you know, and yeah, I did let her know that.
Final Thoughts
Look, I'll split this way, you know. Yeah, guys, a behind the scene, but no Jacka, let's pack it there and take it back to two. Vogue and the good music. We'll come back with more questions.
Appreciation for the Compilation
The house. Brilliant blend was super. Good show. Charming ninja. Was there a couple of chance with the compilation? Is there? So if you haven't checked out the compilation itself, please go check it out. You can literally just type the deposit space. Volume two come up. It will come up. Easy food. And thank you so much for joining us.
Thoughts on Local Music Trends
Yes, sir. I think you maybe, hopefully I brought. But you wanted a few instrument proper. A lot of guys, I think a lot of local guys still don't make songs with vocals and because the reason is because they can't put them together. Yeah. But you can still make a song that rough from the way it go. And I love that. Yes. You're one of the few, honestly, that I've noticed last year. But the vocal will literally merge together. Thanks, man. Thanks. Thanks. Thanks. Let's give the mic to Nkazi.
First Impressions of Music Styles
Yes, I'm still here, folks. Okay, any thoughts? What I can say is uprather Fang, it's like my first time encountering his music. Right, right. And his production style is so interesting. It's so interesting that, you know, he, like you said, he puts vocals on a song and they sit so nicely and on top of those vocals, he then adds elements which shouldn't go with the song, but they then chill with the song. So it's so interesting. His production is really amazing.
Testing the Mic for the Next Guest
Share. Call the super, super producer. Let's test the mic of ecopulsive, who's our next guest? And just hear maybe some of these thoughts. Ecopulse of mic check my, check one, two. Am I clear? I loud and clear I'm for you it's loud and clear. Just to jump straight into it. Thoughts on who put it funk? Did you hear the song? Yes, I got just in time. Gotten just in time. It's also my first time encountering his music. But shout out to the deep house space and shout out to Max.
Reflections on the Deep House Scene
Notes for introducing us to new music all the time. We'll keep listening to Bura de funk. Amazing stuff. Number one, number one short chap, ninja. Just to close it off on your end. All the best. And of course, we hope and to see and to hear more, of course. And it doesn't end here. It doesn't end here. And next time, probably on our launch that is coming, he will be there. So season born guys like Vox just mentioned that over the past weekend, we had a launch, the deep house based launch, and it was wonderful, you know, getting to meet y'all face to face, getting to meet people face to face.
Message to Local Music Scene
It's super wonderful. It's beautiful, man, to see, but no, man. Shout out to each and everyone. But shout out to Bora, man, with all that you're doing, my brother. Be blessed, be blessed on all your journeys, Jayami. And yeah, let's hope doesn't end here. You shall bring more and deliver us from the bad music as bong. Ninja. Brother funk. Closing remarks for me and pro ami. Nothing much.
Celebrating Local Artists
Thank you guys, you know, for hosting me today, you know, and a big shout out, you know, to you in collaborating and this album, helping to push, you know, and especially Max, not me, dear. And empower, you know, he's been doing some nice marketing, you know, it's like from my previous label, I didn't get that much. But now on this side, like, yeah, man. And I was pushing. And yeah, tonight I am launching at a plantation cafe in midrange. So anyone who's around, you're welcome to come.
Details on the Worthy Release
Beautiful plantation lounge and midrange keep all stay blessed. Thank you, son. Shop, shop. And a week that is brother funk with his ep titled the Deeper space Presents Happiness Paradox, released under mixed note media released today. Today. There's five tracks on it. We played three. Please go check out the rest. They all have vocals. Imagine the all have vocals. Next up is Echo Pulsar.
Highlighting New Talents
Echo Pulsar was actually part of the love pack two, which we released in Feb. Super, super young, talented young man. The song on that compilation was seven seasons. Besides what we're going to be playing today, please go check out his discography. And I think he's another one who must change his iv and change a few things there because he's got new music. But my check. Ecopulsive to schools on four years I'm.
Encouragement from the Panel
Here, I'm just not sure the area that I'm. It might be a bit noisy at times, so I'll keep closing my mic. Okay, beautiful, bro. Before just share with everyone. Good spacing. Someone. Some people have never met you. Who is ecopulsive and what music are we playing today? Thank you. All right, so ecopulsive is all the way from KZ Inn. If you are in South Africa and you know escort.
Introduction of Ecopulsive
I am from escort, a small town in KZN, but based in Durban. I do deep house most of the time, but I think I feel more comfortable deep house and I feel like a lot of my. My listeners feel they. The deep house, really, it's what's touching them. It's more. My deep house is emotional, so it just works. I guess I'm more of a deep house artist than I am an afro house artist. But yeah, I do both.
Insights into the Deep House Journey
And yeah, I've been making music for a few years, production, djing now for over a year and most of the time I've released with a few labels. Not a few labels. I've released with two, but I'm currently working with more, especially internationally, but also locally. I have about two and some collaborations. Like I said, I think in the last space I may not be able to confirm them now, but I do have collaborations coming in from UK and Germany.
Experience with Music Labels
It's warmer, there is a compulsive and I've to work with mixed note media. A young. Young record label. Young man empiracy. How has that been? I think he's the best man. I think the label is actually. And I don't think it's. The label is going places. I think it's gone places as well. Not just going, but obviously we are all still growing and I'm glad he added me to the roster.
Positive Experience in the Music Industry
I'm very. I'm actually. I'm honored to be in the roster. To be releasing a single with the label Max note media and now working with empower RSA is definitely. Definitely a breath of fresh air. I would. I would release more music under Maxwell media anytime. Hopefully sometime soon. Go check out mixed media where the young man is doing amazing stuff.
The Journey of Ecopulsive
The postpace himself is releasing music under his record label. So yes. I'm from the love pack. Here's a compulsive with seven season. Oh, season seven. Ask. This is your boy Fenix sound into the deep house base. Yo, what's up? This is your boy in q five. If you are not tuned into the depot space. Hey, this is Kali Miji. You're listening to the deep house space.
Contributions to the Deep House Space
For the love of deep house, baby. Sadeena. Sadeena. Hi, my name is Bongiwe intofogazi. You are listening to the deep house space. For the love of deep house. Hi, this is Sabrina Child, and you're listening to the deepest house space for the love of deep house. For the love of deep house. That is equal pulse of season seven from the love pack that released early this year in February.
Discussion on the Love Pack
Ecopunzel Kumvan. Before I even give the mic to the rest of the panel, what did you think of the love pair Kumfan? We took it back first, by the way. So we haven't played the lettuce singer, but we just wanted to let you feel and let you know who echo passive is but ecopulsive. How did our love pack do? The love pack was amazing.
Production Quality in the Love Pack
I think most of it. For most of it, I think it was compiled from start to finish. I think one of the most important things I said in one of my tweets, I was talking about playlisting and set listing compilation is very important that how the songs are playlisted. Also the producers. Amazing. Absolutely amazing. Most of them. It was my first time encountering the music and hopefully we get to work with them someday through the space.
Enthusiasm about Local Music Scene
I think I've connected with a lot of people and continue to. Yeah, no, there's a lot of music in South Africa, and I think it's the best place for deep house. Definitely the love pack showed that for sure. Hallelujah. Hallelujah. Hallelujah lawyers. Morning, Gazi. Do you remember love? Peg? Did you listen to love? Yes, yes, yes.
Feedback from the Audience
I remember it very well. I've got a couple of favorites. Okay, and then what's your take on, echo pulse? There is something he added from the start of the song to the end of the song, unfortunately. I don't know. It's like, from a musical term, it's like. I can't explain it. It's like someone is hitting a bell, not ringing a bell.
Appraisal of Sound Techniques
Hitting a bell throughout the whole song. You know, it's. It's, it's. It's this type of elements that show me that when someone is producing a song, they are really paying attention to what they are doing. It's not just ng. So I really enjoyed that element for me, carried the song and it was so lovely. Thank you. Thank you.
Insights into Production Methods
It's called an appraisal. That sound. It's an appraisal of some sorts and, yeah, it's. It actually doesn't have a straightforward sequence, but the way I added it just sounded like that I couldn't do it again if I had to. So it was a very unique thing that I could only do for that song. But thanks. Number one, number one compulsive shout out, man.
Reflections on Music Progress
Shout out. And the love pack did quite okay. Yes. I think for the very first compilation, before you play, echo pulsive latest single, your thoughts, brom? Any, any mentions, any submission for echopulsive? I. This guy you see on Sim Nandi like sweets in pinch, you know, when it comes to your sound. Yes, you did mention that you do.
Unique Sounds in Music Production
You know, ecopulsive sound, guys, is like. It's unique. Like he has his own sound, this guy, like, as he know, banga teen voxna. I'm a producer myself, and, you know, really, like, I know things about sounds and capacity is his own sound. In Duana, like, when you compare, whether it's deep house, whether it's Afro house or any chandra, he has his own sound which is like.
Challenges in Production
Like progressive and like one of the songs that you do. I'm fan. I know. I'm telling you, my boy, are you gonna kill it? Mvana. But without a doubt, Mvana, can you tell us, mfana, as a producer, you know, Mvana, we always have challenges, and it comes to a point where sometimes we don't even talk about those challenges when as a producer, how do you.
Organizational Challenges in Music
It doesn't matter what kind of challenge it may be. It might be a challenge of your system breaking down, you know, your projects being gone. You know, how does he store his projects? You understand? And how. How is it. Is it important to do that? So with you, Benjamin, can you tell me, Fana, are my challenges as a producer that you go through?
Importance of Organizational Skills
How do you overcome such challenges? I like this question because it touches the part of being organized as a producer, as a musician, because we always seem like we aren't organized as musicians. But actually, it is very important for us to be organized. And with the projects, I have like three backups all the time. I have a USB for my most approaching projects.
Backing up Music Projects
I actually rank them with importance. So I have about 20 projects that I either haven't released or some that I have released and will be maybe making a remix or I need to refer to like second base. The thing was explaining that sound I needed from that project, I only can get it in that project. Yes, season seven.
The Struggles of Music Storage
So I saved that project and I'll also be doing a remix forward. So I have to keep that project and I keep it in an external drive and a USB. We don't just buy USB's for djing. There has to be a USB for storing the most important projects. I've lost so much, I've lost a computer, I've lost projects through computers crashing and so much work has gone.
Resilience in Music Production
But I think one of the advantages of having a sound is you know, what's best to use. So even if I lose a project, I can always refer to the sounds that I usually use for producing music in order to recreate a similar thing to what I created. Although it might never be the same, but just a similar thing would be good enough. And yeah, just being organized is very important, otherwise we are losing a lot of good music.
Release Challenges
My first ep, there's a song called second bass. I lost that project before I could release the song, but I had an mp3, so I had to edit, I had to reinstall it into FL and then edit it as an mp3 and then release it. So sometimes the quality, you can hear it's not that clean, but yeah, there are ways. You always have to find a way.
Utilizing Cloud Storage
And what's your take while we're still on storage type of vibe. What's your take about cloud storage? It's important. I think it's very important. But always go as analog as possible. So in this case, analog isn't analog, it's digital. But try to store it on something that is more of a hard drive that you can travel with, that you can access without password, that you can access without a.
The Importance of Backup
Your personal computer. It's just best to spread your storage distribution. beautiful. I mean, I'm finding my USB only carries EFL and windows. If those two crashes, guys, I'm destroyed. So yeah, I must carry flood and windows. You must know you have a backup of those things.
Engaging with Vocalists
Another question, Benjamin. With vocalists, so far I don't know. Have you ever worked with vocalists? And if you have worked with vocalists, what is your procedure? Because as producers, each and every producer has their own rules. Whether you have your own studio or whatever you may be, there's a procedure or rules that you follow or guidelines that you need to attend to.
Experiences with Vocalists
So with that ninja on your end, what. When it comes to vocalist, how. How do you operate with vocalist? How do you. Yeah, how do you organize yourself with them? I mean, there are different ways to work with vocalists. I've actually worked with three. Yeah, it's three at the moment. The first song that I released with vocals that.
Creative Collaborations and Challenges
Not truly original, but the sunrise. The sunrise, I got those vocals online, and then after I got the vocals, they were. They were actually royalty free. So I went and contacted the. The lady who Cadence XYZ, and I told her, I found your vocals online on this side. I'd like to work with you. She said, I can't use her real name, so she has an alter ego for EDm.
Unique Vocal Experiences
So we use that, which is cadence XYz. And I dropped the song in the sunrise, and I told her I'd be doing a remix package, which is almost done at. We're waiting for one producer now, but it's recording original songs. That's a bit of a tricky process, I'd say. Yeah, it's very tricky. I recorded at Summon Studio.
Recording Journey
The first time I recorded, the first song I've ever recorded was in 2020. I released. That's my next release, actually. It's called the first. My original record. Recording. Recorded vocal song. It's Aphrotech. The process there was pretty simple. The lady or the. I don't know if I could say a lady, because she's very young, but the lady that sang there, she went to UK's at N.
Collaborating with Talented Artists
She did music. And yeah, she was keen on working, so we worked. And the other person was a guy given by God, and he's also an amazing vocalist. So the process was pretty similar. But I had equipment at my own place, so, yeah, it's a lot easier then we could work through nights, work through weekends, and most importantly, agree on percentages and distribution.
The Influence of Past Experiences
All right, beautiful. Ping jam. Beautiful. No? I see Begada. Then. Let's take it back to the good music in Pyjaman. Except, folks. Thank you for joining us on the deeper space. If you here for the very first time, you've been missing out.
Capacity for Growth
Yes. You're joining us here today. Again. we appreciate you just as much as the person who's joining us for the very first time. After Echo Pulsive, we will have Umana and released an ep. But chest is mic first before he played a song. Mic check. Mic check. Yeah, party was fishy.
Closing Words
As mentioned, my nando is our next guest after Echo. Impulsive. Too much fun. Too much fun. But now we're going to be playing facing a wall by Echo. Pulse of released on released under makes note media. What did you check? Hey, this is Karlie Mijun. You're listening to the deep house space.
Celebrating the Love of Music
For the love of deep house, baby. Yo, what's up? This is your boy Sansa and you're listening to the deep house space. Check it out. For the love of deep House, Sadeena. Sadeena for the love details. Baba Buddha.
Reinforcement of Music Community
Hey, this is Kali Regin. You're listening to the deep house space. For the love of deep house, baby. House, baby. Yes, for the love of Deep House. We are tuned into the deep house space and thank you so much for joining us. So much is played right now.
New Music Launch
It is my third guest for today, Ecopulsive facing award, which was released on the next note. Thank you so much for coming through. Let's give the mic first to Unkasi. So I have a question for Ecopulsive. I'm not sure if you've encountered this before, but what happens when you, for instance, you hear a record label and you're like, my sound would be nice under this record label.
Dealing with Rejection
Then you offer to submit music to them, then they reject you. How do you deal with that rejection? Or if you've ever encountered that? Thanks, Gazi. I think considering how many record labels there are, at first it was a bit stressful that I think this song was perfect for a certain label and I didn't get in because it would feel like I might not be able to release that song.
Selective Process in Music Submission
But then, now considering how many record labels there are, I truly consider my options and find the best one and continue to search. And until I find just the right one for that song, I don't really send it to everyone completely. But yes, I am selective with who I send it to. So it's not just a send and see what I get.
Navigating the Industry Landscape
It's a selective process. And although I'm not big enough to be that selective, but I think it's important to consider the sound of the label. But there are options, definitely. It's not something to stress about anymore. It's not something to worry about. And labels like Max, not media, absolutely amazing working with them.
Contribution of Local Labels
So people might overlook labels from South Africa and labels that are starting up, but yeah, they are the best to work with, especially at the level I'm at. Definitely the best. No, thank you for that. Thank you. I swore shout out to echo pulse of man glad I made this song man glad we met a teacher.
Motivating Messages to Artists
Ola, ola no, no I don't have anything anything but just to say to the boy Mvana keep pushing, keep on pushing and don't give up in what you do in Pinjami and yeah all the best in Punjab. All the best, all the best. Thanks Poga. It's too late now to give up it's too late to go back too late to be negative only pushing forward now.
Pushing Forward in Growth
Give up was never part of the equation give up comedy but ecopunzel anything else that you'd like to share with us? How was your year been? How has your year been? We released a song with you. Listen at the song. How has your year been so far? It's been a very, I'd say, strain this year because I was trying to release a lot of the work that I did in the past years and I didn't really meet my targets as far as I wanted to.
Collaborative Experiences
But I was able to get into different spaces in terms of production work with different people. I collaborated a lot this year. I made a lot of good new music. I think my sound is tightening up and it's defining itself. So. Yeah, but the first thing I wanted to do this year was release everything that I did in the previous years just so I can make some space for whatever's coming.
Anticipating Future Work
Because whatever's coming is definitely top. And this song, facing a wall is new. I produced it three months ago, I think. Yeah, while I was at home about three, two months ago. So it's one of my latest productions this year. Now. Beautiful, beautiful. From my end, I saw in the fuzzy as it deposit flourish and van hopefully flourish and successful program and keep it up, keep up the great one.
Concluding Remarks
Thank you. Thank you. And I'd say let's keep sharing the music. Let's keep pushing the sound. I think this is the most important movement for deep house and the most important movement for music as a whole. So yeah, let's all keep pushing and Mina, I'll meet you soon again here. Very, very soon.
End of Meeting
I started the job and I'm actually at work at break right now. That's why I was able to get this time and have a chat. But yeah, I'm about to go back in a few minutes and otherwise, yeah, let's keep it, let's keep it going, keep it flowing. Someone said that. And big shout out to Max, not media. I see he has two artists today to showcase.
Appreciation for Engagement
That's a. That's a huge move. And yeah, deeper space. Thank you to everyone who tuned in. You'll hear from me soon. That is a couple of coaches. Go cry released some music with him in the love pack, and now he's releasing more with a mixed note, actually. Great to see that.
Introduction to the Discussion
It's really good to see that. Before we go to your music, you've listened to the songs. Ecopulsive thoughts. Man. As he told you. Earphone prom or something. Something. Let me go outside. You. That is Manando. He's released the ep under his own label, Shadow Tone. My check nice and far. Hello. Yeah. Okay.
Details About Manando and His Music
Maneuver is space. Military state on queue. Yeah, military state. Goodreads. You. Hey, this is Kylie Mujin. You're listening to the deep house space for the love of deep house, baby. The deep house space. Soft. That was military state. Broken cartel mix from sailors diary two by Manado. Released this on the 4 October be nice music record label Gazi. You know, the first time I heard anything from Oumanando was. Should have been last year. And the song was letters to my son. And I was so fascinated with how calm his music is. You know, even now when you say wuti, you were in a daze.
Fascination with Manando's Music
I get it, I get it. His music is so calming, which is so nice, man. Oh, yes, I know. My check. I know. Tell us about the sellers. Thanks for the kind words. Actually, sailors diaries. Actually a series I'm doing. Cause in a year, I get to travel maybe twice, maybe for six months in two intervals. So I get away from home a lot of times, so. And I'm not one person. So the best way I could record note down my travel experiences through music.
Concept of Sailors Diary
Hence it's sailors diary. Because I'm always sailing, going to different parts of the world. So I thought of me forcing myself to be a content creator. Let me just make music of my experiences in these different places I go to. So. So that's the whole idea of the seller's diary. I probably released one every year towards the end of the year. But I don't know because I go twice or three times a year. I don't know if I'm gonna do a diary every time I go or just one of the trips, I do a diary.
Military State Inspiration
Then with this song, military state, broken cartel. It was actually the first song I did when I. When I was on that trip was the first song I did. I was in Mexico, the west coast of Mexico, in a place called Manzanillo. For some reason, the ship couldn't get to Manzanilo. We had to take a drive to Elazaro. That's like a six to 7 hours drive. So that 6 hours. The whole road from the town where we're in to village Wakona, there's heavily armed military vehicles, bashama patrol.
Observations from the Journey
And along the way, this guy that was driving us to the other city. This is what cartel. Hence the broken cartel. I've always wanted. It's always been my thing. Using a cartel thing. So I think this time it made sense to use it. And I was also trying to do a broken b ten s broken cartel fix. But that's just Mexico, Andre. Mexico. It's the military statement. There's hudas everywhere. Cartels also own a certain portion of the land. Like it's known it's normal.
Understanding Cartel Influence
Or this. This cartel operator. Even these military people roaming around in Abu N, they aware of these cartels. But they just showing face with these cars. That's the story behind the song. One thing about music that is needed is a store. Is a store. Music needs information. Music needs a store. Thank you for sharing that out. Thank you for. For sharing that and coming back to Sa shores and exploring this thing of music further.
Transition to Music and Experiences
Shout out for that boga. Anything from your side. Isn'T just a camera. The short one. Nice and easy. Nandi like sweets in Jayam. Nandi like sweets. Poison? No. Let's tap into it like already. You know, the first track. It's an introduction already of the. The next ep. As the deep house base we're going to be releasing, you know, which is the broken beat. We're going back to the broken beat in which.
Discussion on Broken Beat
In this DNA. The Afro house gang. Well, which is why I know I'm one of the gangs as well. We call it three step. Yeah, I understand. Mind. Do you mind telling us Mvana out of your. Your knowledge? Of course. And what do you know about it and why did you make such a song? I don't want to lie to you. I don't know where this broken beat comes from. Should be a sound organ. This arm was. First time I came across this sound was 2010, 2009, maybe 2011.
History of the Broken Beat
That iriable technique before technique went into the house. Nitrosi, tristep. They were doing broken beating before even. I'm a beyond these guys. Most of these guys pointers of my beer. And we're doing a type of broken beating. So that's how. That's the story I know of. People can be touted. I don't want to lie to you, mighty, but what I can say is, wooti, three step doesn't come from a broken beat. Those are two different things.
Distinction Between Music Styles
Three step, it's three kicks, a broken beat. Most cases it's four beats, but broken, so those are already different. So I hear a lot of people write, hi, Dallas. Here's interesting bits from a broken bit. Nah, it's not the same thing. And you're doing good by saying that because actually we do have producers and teachers and even good lovers of good music, you know, them comparing Lama Chandra now to say, no, mentor step, it comes from the broken beat and whatnot.
On the Music’s Elements
Dot not. And for me, Mina Manando, just gonna say, man, it's just the name of the genre, man. All in all, it's how you make the music, you know? Do you bless us with the music? The difference within both of these two? It would be just the elements of percussions, you know, the drum lines and all. But, yeah. So with this one military statement feel like, titling off tracks is very important, you know?
Meaning Behind Titles
And they have a deeper meaning, behind it. So with this one, military state. I think I explained that earlier, man. But, yeah, military state, it's. It's Mexico. Mexico. It looks like a war zone. There's cartels everywhere. There's military vehicles patrolling everywhere. So that's why I was in Mexico when I made the song. So that's why I say the Mexico is a military state.
Cultural Reflections from Experiences
Mexico. You're reminding me of that video. They asked the girl, which country is this at? Mexico. South Africa. Yeah, I know. No, Mando. Let's go back. Let's take it back to the. To the good music. In pinch. That is Menando. He's got an epic hold. Say this dairy, too, has five tracks on it. We just played military state boga on queue rundown, which is check number five. So there's five.
Exploring Manando's Music
Go check it out. Well, we're gonna play at least three, maybe close off, nada, so that you can experience more of my nando. My nando even made song called everything house music. It's worth it. Yes. So go check out his discography. A good progressive discography from when he started making music to yesterday. And I'm proud of it. I'm proud of that. Definitely.
Overview of Upcoming Episodes
J Runtown. Yo, what's up? This is Boy Sansa, and you're listening. To the deep house space. Check it out. Price went up. Yesterday's price. It's not today's price. Yesterday's price is not today's price. The deep house. Sadeena. Sadeena. Deep house face. What am I? Yo, what's up? This is Boy Sanzo and you're listening. To the deep house base. Check it out.
Final Comments
Yeah, no. Po is happy. Po is happy. I can see him dancing. I can see him dancing. Dancing his knuckles off. That is Runtown. That is rundown by Manando, which is from sailors diary two released under be nice music 4 October Kazizulu it's been a good day. Definitely a good day. You know, this is why I cannot imagine my life with. Without house. Deep house.
Reflections on Music's Versatility
It's so versatile. We can never get tired of it because there is so much out there. There is so much to listen to. I. You know. What a song. What a song, man. You know, I like. It's one of those songs that I feel I'm out of words. It's such a great song. You know when they say the aim is not too sweet. What a song. Mandy. It's a rundown.
Feedback from Other Music Lovers
Fun. It's a rundown. It's a rundown. And no, without a doubt it's a beautiful song. It's a beautiful song. The first time he gave me the rumanando, which was three weeks back, and then we played it here on the mix on the morning. Deep mix. Yeah. I mean, even the feedback. I remember the people were asking Gutierre, what's the name of the song? This song? It's a kilam fan. It's a kid.
Discussing Artist's Journey
Nando Oscar ninja of the song. Nando Kuna. So mukwe Joy Lapaya forgot about us. Manic pay lunga is no pog and Baswang. But. Yeah. Oh, no. Yeah. Can you tell us, like, via the rundown. Running Benjamin, which part of the world were you at? What was happening? No, actually this one. It wasn't actually supposed to be part of this ep because I was.
Unexpected Music Developments
Hence the name rundown. And I get it from the vocal rundown down, but it wasn't part of the ep. So I just finished doing a sailors. Then french boss asked me to do an ep for a label. Ake something more records. So as I was working on that three track ep or for his label, I felt like a good. No, man. I'm actually doing nicer songs because I think I get better with the next song.
Evolution of Creative Process
So then no more tracks because I felt like they better than it. But at the end of the day, I want now, man. The main idea was for French to do ep for. Let me just give him this three song that I think are better. Let me do another song for me. Then I came across this vocal I run down then. Yeah, that's how the song came about. It was a nako.
Reflecting on Completion of the Project
That was the last track. Like, it was never meant to be here, but my father, because I liked it so much. So you were jealous. I'm. It happens to all of us, probably almost all the producers. You know, when you submit a song and then you go back and listen to that song that you. You.
Emotional Connection to Music
You released or gave someone. And then Matia to the beggar, you listen to your own stuff and you're like, yes, even ghost producers, they know, but we're not going touch down on that today. So. Nando. Nando. So with. With this one, I'd like to know, man, when it comes to. Because the question that I also gave up asking him, you know, tell me more about.
Agreement with Vocalists
About vocal clearance, man. In terms of you using my vocals vocalist, you understand that as a producer, what, what are the requirements? Or what is the agreement between you and the vocalist? Let's just say that the vocalist right now is working with you. And then the song, probably your guys never got to release it. The song was down, the vocals were down, but the song was never released.
Revisiting Past Projects
Two years down the line, you come back, you go back to that very same project. You feel it now you are in the mood for it now you wanna finish up the project and all the. The vocalist that already you have sample, you have their vocals on. On your PC, on your project. How do you work around that? Like, in terms of, would you.
Producer's Approach to Vocal Usage
Do you pay that person for their ip or. Or you still pay them for them to be featured on the song, but they still keep their ip? Or how does it work as from producer to vocalist, how do you guys work in terms of agreement? I haven't worked with too many vocalists, but the ones that I've worked with, it's for me now, even when it comes to my approach was initially.
The Collaboration Agreement
Initially, the initial thing is we're gonna do two songs. One for me, one for you. Wherever you send it in, you're gonna credit me and you wanna give me my share. Only writings on the realities. Nami on my side with the song away army, I'm gonna credit you rightfully so. Give your card. It's gonna be a smaller percentage because it's my song now only, was I gonna give me a small card.
Detailed Explanation of the Payment Process
That's the ideal way I like working, you know, whether it's vocalist or a producer. Then the second way, I need to pay you. Pay you in my gonna give me a rate. Except poisoning. I'm charging so much. Then I'll pay you that money. And you do what I ask you to do. Because most of the time I tell them so.
Guidelines for Vocal Contributions
I need you to sing about this or speak about this. This is the idea. Then give them the robot. Yeah, do whatever you like. But this is the main idea I want for this specific song. Then you go, you record, then we are Boya 14. Then own. But cause me nice. I'm gonna give your card. The smaller percentage turn or 20 on royalties.
Business and Relationships in Music
Cause he sponsor I keep for me now. But also I already paid you, so I'm not forced to give you my card or fear my royalties. Because already been paid to do this work. Mara. Because I like keeping my relationship back. So I'm gonna give you a small percentage of the royalties. But that's the. That's how I work.
Conclusion of the Music Discussion
I just wanted to know the process of how you work. Nama vocalist. Join and for you. Not. On the ship, just for free. You're using your juices, you crisive juice and your talent for any creativity. Please keep it up out here. And all the best with. With the rest of your career and everything else that you are praying and hoping for in your life.
Gratitude and Final Thoughts
Thank you for being a guest. Deeper space. Thank you for working with us on the deeper space. Volume two. My Nanda is a song on volume two. But check it out, you should enjoy it too. Definite. So that's. That's me in Purami from your end. You get people head of you from space.
Closing Remarks
Keep pushing. Hi Naraja. Naranja charity person. Go check out Menando's tv sailors diary too. As mentioned, there's five tracks on it. I think we're going to close off with one. Close off with one. Yeah, yeah, yeah. So let me select. Okay, perfect. Perfect. As we ended off today, Gazi Zulu last few months from your end.
Wishes for the Audience
I'd like to wish everyone who's here great weekend. I'd like to thank you to everyone who joined joins us every single week without fail. I'd like to thank you to everyone who's joined us today for the first time. We appreciate you guys a lot and yeah, happy weekend to everyone. Yes, happy, safe weekend, people.
Looking Forward to the Next Episode
Stay blessed and keep on listening to good music. Next week, Gomezuolo Nep sold Seismic Soul. Yes, that is next week. The following week, there's some guys from AFR record label. That's what I bring to me. Excited about them. There are some guys I know from. From the Western Cape.
Anticipation for Future Collaborations
So I look out for that end of the month. And then we November, in any December, then we call it a year. Closing your month end out here. It has been another massive and wonderful episode of the Deep House base, of course. And shout out to each and everyone who came through, who pulled up.
Final Appreciation
Shout out to each and every artist. You know our artists never failed when I went out. When I folks in front, the only thing that fails them is the network when I'm at home. If were doing this live, I don't think these people would have failed us and done by coming through.
Acknowledgment of Challenges
It's just the network in Jabo is doing the sailing things about in the waters. Shout out to you Jayam Nandu. But yeah, shout out to each and everyone. Take care of yourself, guys. Please be safe on the roads. Please be safe. Wherever you're going.
Conclusion and Safety Messages
If you are clapping, be responsible man with your drinks. People are getting drugged and yeah, whatever it is, just take care of yourself. Be good, be safe. And we'll meet again next week, man. Same time, same place.
Goodbye from the Hosts
From me. Boga. I'm out. Bye bye, mister. Hi. Thank you everyone. Till next week. Closing off with Umanando. With sex in the Caribbean. No. The saxophone guys. Dunko.
Final Reflections
Space. Facebook. Sadeena. Don't, don't. Don't. Don't. Don't. Don't. The deep house space. My name is Bomani Mehawmakur. The deep house space. Grace upon these platforms that expose the undiscovered as we enter, we breathe fire from the other side conquer and defend by our rules they will abide.
Celebrating House Music
House. Music is in control now turns the tide in our house we are one connected with the rhythm. My name is Bongani Mecho Makul and you're tuned into the deep house space. Hi. Thank you so much everyone. Till next week. Thank you.
